| THE Chair she sat in, like a burnished throne, | |
| Glowed on the marble, where the glass | |
| Held up by standards wrought with fruited vines | |
| From which a golden Cupidon peeped out | 80 | 
| (Another hid his eyes behind his wing) | |
| Doubled the flames of sevenbranched candelabra | |
| Reflecting light upon the table as | |
| The glitter of her jewels rose to meet it, | |
| From satin cases poured in rich profusion; | 85 | 
| In vials of ivory and coloured glass | |
| Unstoppered, lurked her strange synthetic perfumes, | |
| Unguent, powdered, or liquid—troubled, confused | |
| And drowned the sense in odours; stirred by the air | |
| That freshened from the window, these ascended | 90 | 
| In fattening the prolonged candle-flames, | |
| Flung their smoke into the laquearia, | |
| Stirring the pattern on the coffered ceiling. | |
| Huge sea-wood fed with copper | |
| Burned green and orange, framed by the coloured stone, | 95 | 
| In which sad light a carvèd dolphin swam. | |
| Above the antique mantel was displayed | |
| As though a window gave upon the sylvan scene | |
| The change of Philomel, by the barbarous king | |
| So rudely forced; yet there the nightingale | 100 | 
| Filled all the desert with inviolable voice | |
| And still she cried, and still the world pursues, | |
| 'Jug Jug' to dirty ears. | |
| And other withered stumps of time | |
| Were told upon the walls; staring forms | 105 | 
| Leaned out, leaning, hushing the room enclosed. | |
| Footsteps shuffled on the stair. | |
| Under the firelight, under the brush, her hair | |
| Spread out in fiery points | |
| Glowed into words, then would be savagely still. | 110 | 
| // excerpt from 'II: a game of chess' from t.s. eliot's the waste land, 1922 | 
 
 
