THE Chair she sat in, like a burnished throne, | |
Glowed on the marble, where the glass | |
Held up by standards wrought with fruited vines | |
From which a golden Cupidon peeped out | 80 |
(Another hid his eyes behind his wing) | |
Doubled the flames of sevenbranched candelabra | |
Reflecting light upon the table as | |
The glitter of her jewels rose to meet it, | |
From satin cases poured in rich profusion; | 85 |
In vials of ivory and coloured glass | |
Unstoppered, lurked her strange synthetic perfumes, | |
Unguent, powdered, or liquid—troubled, confused | |
And drowned the sense in odours; stirred by the air | |
That freshened from the window, these ascended | 90 |
In fattening the prolonged candle-flames, | |
Flung their smoke into the laquearia, | |
Stirring the pattern on the coffered ceiling. | |
Huge sea-wood fed with copper | |
Burned green and orange, framed by the coloured stone, | 95 |
In which sad light a carvèd dolphin swam. | |
Above the antique mantel was displayed | |
As though a window gave upon the sylvan scene | |
The change of Philomel, by the barbarous king | |
So rudely forced; yet there the nightingale | 100 |
Filled all the desert with inviolable voice | |
And still she cried, and still the world pursues, | |
'Jug Jug' to dirty ears. | |
And other withered stumps of time | |
Were told upon the walls; staring forms | 105 |
Leaned out, leaning, hushing the room enclosed. | |
Footsteps shuffled on the stair. | |
Under the firelight, under the brush, her hair | |
Spread out in fiery points | |
Glowed into words, then would be savagely still. | 110 |
// excerpt from 'II: a game of chess' from t.s. eliot's the waste land, 1922 |