30 September 2012
27 September 2012
'lady of silences
calm and distressed
torn and most whole
rose of memory
rose of forgetfulness
exhausted and life-giving
worried reposeful
the single rose
is now the garden
where all loves end
terminate torment
of love unsatisfied
the greater torment
of love satisfied
end of the endless
journey to no end
conclusion of all that
is inconclusible
speech without word and
word of no speech
grace to the mother
for the garden
where all love ends.'
/ excerpt from part II of ash wednesday by ts eliot 1930
calm and distressed
torn and most whole
rose of memory
rose of forgetfulness
exhausted and life-giving
worried reposeful
the single rose
is now the garden
where all loves end
terminate torment
of love unsatisfied
the greater torment
of love satisfied
end of the endless
journey to no end
conclusion of all that
is inconclusible
speech without word and
word of no speech
grace to the mother
for the garden
where all love ends.'
/ excerpt from part II of ash wednesday by ts eliot 1930
23 September 2012
'freedom is only to be found where there is burden to be shouldered. in
creative achievements this burden always represents an imperative and a
need that weighs heavily upon man’s mood, so that he comes to be in a
mood of melancholy. all creative action resides in a mood of melancholy,
whether we are clearly aware of the fact or not, whether we speak at
length about it or not. all creative action resides in a mood of
melancholy, but this is not to say that everyone in a melancholy mood is
creative.'
/ martin heidegger, german philosopher
/ martin heidegger, german philosopher
21 September 2012
/ obsessed with maison martin margiela -- super brilliant
'early on in his career, martin margiela deliberately avoided the limelight so as to allow his fashion to speak for itself.. illustrated quite literally in his photograph from a/w 2001. it not only radically dismantles the politics of the celebrity cult but also attests to the house's fascination with the vulgarity of stardom and the divaesque.'
'early on in his career, martin margiela deliberately avoided the limelight so as to allow his fashion to speak for itself.. illustrated quite literally in his photograph from a/w 2001. it not only radically dismantles the politics of the celebrity cult but also attests to the house's fascination with the vulgarity of stardom and the divaesque.'
18 September 2012
'we tell ourselves stories in order to live... we look for the sermon in the suicide, for the social or moral lesson in the murder of five. we interpret what we see, select the most workable of the multiple choices. we live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.'
/ joan didion, the white album
/ joan didion, the white album
13 September 2012
'my mind has been the most discontented and restless one that ever was put into a body too small for it. i never felt my mind repose upon anything with complete and undistracted enjoyment - upon no person but you. when you are in the room my thoughts never fly out of window: you always concentrate my whole senses.'
/ john keats, letter to fanny brawne
12 September 2012
05 September 2012
03 September 2012
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